The truck driver intentionally hitting the turtle is symbolic for the many people in the novel that try to hurt the Joads. Legs jerking in the air, the turtle struggles to flip itself back over. When Granpa tells his wonderful story about sitting in a tub of grapes, this shows his and his families hopes of prosperity once they reach California.
The repetition of key elements, often symbolic or thematic in nature, also works to integrate the two types of chapters. Many complain that the chapters are interruptions in the story proper, or that they split the novel into two distinct sections only loosely related. After the events in the novel have been told in a general sense by John Steinbeck, they come to life through the Joad family.
The inter-chapters are a purely unique creation by John Steinbeck. John Steinbeck uses many literary techniques in The Grapes of Wrath to help the reader better understand the story.
The use of a collage of vignettes, monologues, and dialogues designed to show the social and historical processes behind the events that were occurring in the story of the Joads.
The turtle has almost reached his destination when a truck hits it. This chapter represents the continuous struggles and obstacles that the Joads would have to cope with throughout the entire story.
Also, the Joads buy a used car in order to get to California and are ripped off. The inter-chapters describe general situations and the chapters after them explain how that particular situation affects or will affect the Joads.
In The Grapes of Wrath, many different literary techniques are used to further describe and bring to life the novel, but the two that Steinbeck uses the most are the inter-chapters and symbolism.
And children dying of pellagra must die because a profit cannot be taken from an orange. Some readers, at first, may not understand the seemingly sudden chapters of vivid description and background detail. This chips its shell, and it is thrown on its back. The turtle is a symbolic figure.
Another chapter describes a tenant farmer that has to leave and is cheated into paying too much for a car. The spiritual beauty and strength of this language is most clearly seen in the apocalyptic warning delivered in Chapter 25, "There is a crime here which goes beyond denunciation. During the day the farmers have nothing to do but stare dazedly at their dying crops, wondering how their families will survive.
In keeping with the purpose of these chapters as general expansions of specific events, however, quotation marks indicating precise speakers are quite obviously absent. This structure enables Steinbeck to use many different writing styles. This man also explains how no one can get people together to organize groups because the cops arrest anyone who starts doing this.
As well as the turtle, the Joad family dog is a major symbol in the novel. The dog one-day jumps out in front of the truck and gets run over. The symbols express his points very clearly. At night, the dust blocks out the stars and creeps in through cracks in the farmhouses.
The land that is owned by the farmers is their most prized possession. The inter-chapters, eventually, become very intriguing as the story progresses.
The land turtle, whose symbolic struggle across the highway is meticulously described in Chapter 3, is picked up by Tom Joad in Chapter 4 and released in Chapter 6, only to continue its journey in the direction soon to be followed by the Joad family.
The inter-chapters are a key part in The Grapes of Wrath because they provide indirect comments and show general situations which foreshadow the personal tragedies of the main characters.
Chapter nineteen explains how the Americans took California from the Mexicans, and people known as squatters p. It destroys everything in its path. For example, Chapter 7 provides the monologue of a used car salesman and is followed in Chapter 8 by an account of the Joads preparing to leave, having just purchased a used Hudson Super-Six.
Chapter three is an inter-chapter. With its force and authority, this biblical voice, present in both the opening description of the drought and the closing description of the floods, becomes the moral center of the novel. The tractors are dead, unemotional machines.
According to Steinbeck scholar, Peter Lisca, the author uses three specific literary devices to minimize disruption and bring together the two components of the novel: The fertile earth, the straight tree rows, the sturdy trunks and the ripe fruit.Analysis Of "the Grapes Of Wrath" Essays: OverAnalysis Of "the Grapes Of Wrath" Essays, Analysis Of "the Grapes Of Wrath" Term Papers, Analysis Of "the Grapes Of Wrath" Research Paper, Book Reports.
ESSAYS, term and research papers available for UNLIMITED access. Feb 15, · In conclusion, the ideas of the inter-chapters and symbolism in The Grapes of Wrath are very closely intertwined.
Much of the book’s symbolism comes from the inter-chapters. Some readers, at first, may not understand the seemingly sudden chapters of vivid description and background detail.
Intercalary Chapters in The Grapes of Wrath: Analysis & Purpose. Chapter 5 / Lesson 3.
Lesson; Quiz & Worksheet The intercalary chapters in The Grapes of Wrath, also known as 'inner chapters. Ask your peers! Answers to what is the author's purpose for writing The Grapes of Wrath?.
LitCharts assigns a color and icon to each theme in The Grapes of Wrath, which you can use to track the themes throughout the work. Sobel, Ben. "The Grapes of Wrath Chapter 1." LitCharts. LitCharts LLC, 17 Sep Web. 8 Sep Sobel, Ben. "The Grapes of Wrath Chapter 1." LitCharts.
LitCharts. Distribute or display “Outline of Intercalary Chapters in The Grapes of Wrath” from EDSITEment-partner ReadWriteThink’s lesson, Designing Museum Exhibits for The Grapes of Wrath: A Multigenre Project.
Explain to students that in this activity they will embark on their own search for the purpose of these chapters and their connection to.Download